The real base
A Beauregard watch, a jewel, an object photographed in studio: I keep the proportions, materials and signs the brand has already built.
What I do
From the real,
to the composed image.
I start from real images: packshots, studio photographs, material details, jewels, watches, existing objects. AI then becomes a studio material, not a replacement for the product.
The staging
I alter the pose, scale, setting and light. The object can enter a different world without losing its identity.
The final image
The result becomes a campaign image: freer than a packshot, but still held by the real, by composition and by the eye.
For Beauregard, I work from photographs of the jewels and watches to create the worlds in which they can exist.
For brands
Where your
brand can live.
Concrete answers for brands that need singular images built to live beyond the feed.
Yes. A watch, a jewel, an object or a material photographed in studio can become the starting point for a composed image. The product keeps its identity; the world around it becomes freer.
Campaign images, collection launches, editorial visuals, product scenes, images for social, print, vitrines, fairs or press kits. The goal is to give the object a world, not only a background.
The images are conceived beyond the screen: print, vitrines, display, fairs and press materials. The logic is that of a composed and assembled image, not a visual generated in a second.
No. The final image is composed, not generated: subject, frame, light, material, retouching, assembly — every decision is held by the eye. An image is built over a day, not generated in a second.
With a product, a collection, a brand intention and a final use. Production, estimates and contracts then go through Fullbooking, the structure dedicated to practical matters.
Yes, depending on the project: video loops, animated images, AR-ready content, campaign variations or visual material built for digital activation. The logic remains the same: a composed brand image, not a technical effect.